Making A Life of Art
with Nato Thompson
In this course, Thompson will address and workshop the complexities of living an artistic life. Ranging from practical issues like artistic work routines and navigating the art world to more philosophical issues of community, sustainability, and life-work balance; the course is meant as a hands-on workshop for artists and curators interested in making a cultural life amidst a difficult and socially arduous world. The course will also include visiting artists, readings, and discussions.
Enrollment deadline: February 5, 2025
February 5 - March 19th
Wednesdays
12:00 - 2pm EST
20
Students Max
$750 For Members
$1250 Non-members
USD
Nato Thompson is an author, curator, and what he describes as “cultural infrastructure builder”. He has worked as Artistic Director at Philadelphia Contemporary, and Creative Time as Artistic Director and Curator at MASS MoCA.
Thompson organized major Creative Time projects including The Creative Time Summit (2009–2015), Pedro Reyes’ Doomocracy (2016), Kara Walker’s A Subtlety (2014), Living as Form (2011), Trevor Paglen’s The Last Pictures (2012), Paul Ramírez Jonas’s Key to the City (2010), Jeremy Deller’s It is What it is (2009, with New Museum curators Laura Hoptman and Amy Mackie), Democracy in America: The National Campaign (2008), and Paul Chan’s Waiting for Godot in New Orleans (2007), among others.
He has written two books of cultural criticism, Seeing Power: Art and Activism in the 21st Century (2015) and Culture as Weapon: The Art of Influence in Everyday Life (2017). He founded the Alternative Art School in 2020.
Since January 2007, Nato Thompson has organized major projects for Creative Time including the annual Creative Time Summit, Living as Form (2011), Paul Ramirez Jonas’s Key to the City (2010), Jeremy Deller’s It is What it is with New Museum curators Laura Hoptman and Amy Mackie (2009), Democracy in America: The National Campaign (2008), Paul Chan’s acclaimed Waiting for Godot in New Orleans (2007) and Mike Nelson’s A Psychic Vacuum with curator Peter Eleey. Previously, he worked as Curator at MASS MoCA where he completed numerous large-scale exhibitions including The Interventionists: Art in the Social Sphere (2004) with a catalogue distributed by MIT Press. His writings have appeared in numerous publications including BookForum, Frieze, Art Journal, Art Forum, Parkett, Cabinetand The Journal of Aesthetics and Protest. The College Art Association awarded him for distinguished writing in Art Journal in 2004. He curated the exhibition for Independent Curators International titled Experimental Geography with a book available by Melville House Publishing. His book Seeing Power: Socially Engaged Art in the Age of Cultural Production was published by Melville House in January 2012.
Drifting in Daylight, 2015, Collaboration with Central Park Conservancy.
Chto Delat, A Monument to the Century of Revolutions, 2017 Creative Time Summit, Toronto, Curated by Nato Thompson.
Living As Form, 2011, With Creative Time.
Kara Walker, A Subtlety, 2014, with Nato Thompson and Creative Time.
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