Overstory: A colloquia on practices of listening and doing in community
with Raqs Media Collective
‘Canopy’ draws its name and disposition from the practices of gathering, in joy, togetherness and anger, that the world has witnessed and is witnessing - in varying intensities over the last decade. It finds its form in the colourful tent canopies - shamiyanas - that marks places like Delhi - as shades to gather under. Occasions when people, often strangers, met face to face, sang, had conversations into the night and asserts their claims to space and time by being together. These moments and places reflect on how impulses move and moves many, and ruptures the settled rhythms of living and moving.
April 29th - May 10th
Mon, Thur, Fri
9 - 11:30am EST
16
Students
$1,250 New Student
$1,000 Returning Student
USD
RAQs Media Collective was formed in 1992 in Delhi, India by Monica Narula, Jeebesh Bagchi, and Shuddhabrata Sengupta. The word ‘raqs’ in several languages denotes an intensification of awareness and presence attained by whirling, turning, and being in a state of revolution. RAQs Media Collective takes this sense to mean ‘kinetic contemplation; a restless entanglement with the world and with time. RAQs enlists objects, such as an early-modern tiger-automata from Southern India, or a biscuit from the Paris Commune, or a cup salvaged from an ancient Mediterranean shipwreck, to turn them into devices to sniff and taste time. Devices unfold in this way in order to undertake historical subterfuge and philosophical inquiry. RAQs practices across several forms of media: installation, sculpture, video, performance, text, curation, and lexica. In 2000, they co-founded the Sarai program at CSDS, New Delhi, and ran it for a decade, where they innovated infrastructural conditions on the practices and production of knowledge. They also edited the nine-volume Sarai Reader series.
RAQs has exhibited widely, including at Documenta, The Venice, Istanbul, Taipei, Liverpool, Shanghai, Sydney, and Sao Paulo Biennales. They have had solo shows in museums and educational and independent art spaces in Boston, Brussels, Madrid, Delhi, Shanghai, London, New York, Toronto, Dusseldorf, Manchester, Doha, Buenos Aires, among many others. Works by RAQs are part of several contemporary art collections and museums. Their essays have been widely published.
RAQs curated Afterglow, Yokohama Triennale 2020, Why Not Ask Again, Shanghai Biennale 2016, The Rest of Now, Manifesta 7 (Bolzano, 2008), Sarai Reader 09 (Gurgaon, 2012-13) and INSERT2014 (Delhi, 2014), amongst others. Hungry for Time, an exhibition curated by them at the Akademie der Bildenden Künste Vienna opens in October 2021.
Raqs Media Collective, Auto-Didact's Transport, Permanent Transformation of Gwangju Metro Wagons, 2013, Courtesy of the artists, Photo: Kyungsub Shin
Raqs Media Collective, The Laughter of Tears, Ferment, 2021, Readymade canopy, embroidery, Courtesy of the artists, Photo: Stefan Stark
Raqs Media Collective, Escapement, Installation View, 2009, Mised media, Courtesy of the artists.
Raqs Media Collective, Not Yet at Ease, 2018, ARA Winter 2018 Feature, Courtesy of the artists.
More Classes
Live online classes with the world’s best artists and curators
Carving Connections *Time-Based Media Emphasis
An independent study program with Amber Imrie
Carving Connections ISP is designed to help you explore and strengthen your unique artistic voice by engaging deeply with a focus on time-based media. This course combines technical skills with creative exploration, focusing on video art, sound design, and the art of storytelling through moving images. You’ll gain practical experience using Adobe Premiere to edit video and sound, while experimenting with video quality, timing, multi-channel formats, GIFs, and other emerging media.
Through hands-on tutorials, we’ll explore how sound and image come together to create compelling works that resonate emotionally and intellectually. We’ll also dive into the logistics of exhibiting and installing video work, discussing how to present time-based pieces in physical spaces and online platforms. Along the way, you’ll receive personalized feedback from mentors and peers, all in a collaborative environment that encourages experimentation and growth.
This course is a great opportunity to expand your creative toolkit and develop your voice within the realm of contemporary video art, while continuing the Carving Connections tradition of fostering self-expression and artistic community.
Making A Life of Art
with Nato Thompson
In this course, Thompson will address and workshop the complexities of living an artistic life. Ranging from practical issues like artistic work routines and navigating the art world to more philosophical issues of community, sustainability, and life-work balance; the course is meant as a hands-on workshop for artists and curators interested in making a cultural life amidst a difficult and socially arduous world. The course will also include visiting artists, readings, and discussions.
