Professional Practice Bi-Weekly Workshop

with Lexa Walsh

In this course, we will move intently toward building our professional practices as artists. We will cover the many ways to be in the Art World(s), and how to get there: Goal Setting, Grants, Budgets, Pricing, Residencies, Open Calls, Artist and Project Statements, Elevator Pitches, CVs, Documentation, Websites, Networking and Promotion, and the importance of Community. We will share tips and strategies to help define and finesse each of these, by identifying our audiences, contexts, processes, research and challenges.

Plus it includes MEMBERSHIP!!

Bi-Weekly

Lexa Walsh is an artist, cultural worker, and experience maker. Walsh makes projects, exhibitions, publications, and objects, employing social engagement, institutional critique, and radical hospitality. She creates platforms for interaction across hierarchies, representing multiple voices and inventing new ways of belonging, not only for people but also for collections and archives.

She is a graduate of Portland State University’s Art & Social Practice MFA program and holds a BFA in Ceramics from California College of Arts and Crafts. She was a Social Practice Artist in Residence in Portland Art Museum’s Education department and received the Southern Exposure’s Alternative Exposure Award, the CEC Artslink Award, the Gunk Grant, the de Young Artist Fellowship, and Kala’s Print Public Residency Award. Walsh has participated in projects, exhibitions and performances at Apexart, Atlantic Center for the Arts, Cité de la Musique, Exploratorium, de Young Museum, di Rosa Center for Contemporary Art, Exploratorium, Federal Hall, Kala Art Institute, Marin Museum of Contemporary Art, Mills College Art Museum, Oakland Museum of California, NIAD, Portland Art Museum, SFMOMA, Smack Mellon, Taipei Artist Village, Walker Art Center, Williams College Museum of Art, and Yerba Buena Center for the Arts. She has done several international artist residencies, tours, and projects. She is currently an Artist in Residence at Grand Central Art Center in Santa Ana, CA.

CONSOLIDATED MESS INSTALLATION, RECLAIMED WOOD, CARDBOARD, CONTACT PAPER, RECLAIMED FURNITURE, BURLAP, NETTING, RIBBON, AIR FORCE PINS, FOUND EPHEMERA, WWII ERA PHOTOGRAPHS, AFGHAN WAR RUG, SOUND, GLAZED CERAMIC, MIXED MEDIA, CURATED ARTWORKS AND OBJECTS FROM VETERANS AND THEIR FAMILIES, SOCIAL PRACTICE 2022 An interactive artist residency and exhibition at Marin MoCA, informed by the Hamilton Airfield historical archives housed at the Hamilton Field History Museum in Novato, California.
TAKING ONE FOR THE TEAM CERAMICS, TEXTILES, MIXED MEDIA, SOCIAL ENGAGEMENT, SOUND 2022
BOTH SIDES NOW, WITH DAN WALSH INSTALLATION, WILLIAMS COLLEGE MUSEUM OF ART COLLECTION, ALTERED WILLIAMS COLLEGE FURNITURE, FOUND OBJECTS, COTTON, THREAD, PUFFY PAINT, POMPOMS, ACRYLIC ON CANVAS, PRINTED MATTER, SOCIAL PRACTICE, 2016
…WHICH BY THEIR VERY UTTERANCE… Wooden game board, electronics, computer, sound, website, printed matter, 2022
CONSOLIDATED MESS INSTALLATION, RECLAIMED WOOD, CARDBOARD, CONTACT PAPER, RECLAIMED FURNITURE, BURLAP, NETTING, RIBBON, AIR FORCE PINS, FOUND EPHEMERA, WWII ERA PHOTOGRAPHS, AFGHAN WAR RUG, SOUND, GLAZED CERAMIC, MIXED MEDIA, CURATED ARTWORKS AND OBJECTS FROM VETERANS AND THEIR FAMILIES, SOCIAL PRACTICE 2022 An interactive artist residency and exhibition at Marin MoCA, informed by the Hamilton Airfield historical archives housed at the Hamilton Field History Museum in Novato, California.

More Classes

Live online classes with the world’s best artists and curators

Carving Connections *Time-Based Media Emphasis

An independent study program with Amber Imrie

Carving Connections ISP is designed to help you explore and strengthen your unique artistic voice by engaging deeply with a focus on time-based media. This course combines technical skills with creative exploration, focusing on video art, sound design, and the art of storytelling through moving images. You’ll gain practical experience using Adobe Premiere to edit video and sound, while experimenting with video quality, timing, multi-channel formats, GIFs, and other emerging media.

Through hands-on tutorials, we’ll explore how sound and image come together to create compelling works that resonate emotionally and intellectually. We’ll also dive into the logistics of exhibiting and installing video work, discussing how to present time-based pieces in physical spaces and online platforms. Along the way, you’ll receive personalized feedback from mentors and peers, all in a collaborative environment that encourages experimentation and growth.

This course is a great opportunity to expand your creative toolkit and develop your voice within the realm of contemporary video art, while continuing the Carving Connections tradition of fostering self-expression and artistic community.

Making A Life of Art

with Nato Thompson

In this course, Thompson will address and workshop the complexities of living an artistic life. Ranging from practical issues like artistic work routines and navigating the art world to more philosophical issues of community, sustainability, and life-work balance; the course is meant as a hands-on workshop for artists and curators interested in making a cultural life amidst a difficult and socially arduous world. The course will also include visiting artists, readings, and discussions.